Chris Hanna

Xavier Dolan Mommy

Quebec cinema wunderkind Xavier Dolan’s fifth feature Mommy is his best by far.

In hindsight, Mommy is also Dolan’s first masterpiece. This isn’t a knock to his debut, J’ai tué ma mère, or the lush Laurence Anyways, or even the Hitchcockian Tom à la ferme, but none of his previous films are nearly as moving, captivating or artistically assured as Mommy is. Knowing what he can do now with Mommy, a passionate, beautiful and unique film about a Québécois family, with a script that is biting and emotional, it makes his previous efforts pale in comparison.

Set in 2015, when a new law is passed allowing Canadians with a problem child to give him or her up to a federal institution, Mommy follows Diane “Die” Després (the perfect Anne Dorval, in her fourth Dolan film) and her son Steve, whom Die picks up from what appears to be a boarding…

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About The Cafe Phenomenon

"The Cafe Phenomenon" refers to a situation, specifically in a cafe, where you are sitting with a friend and engaging in conversation with them, but you suddenly find yourself unable to listen because the background noise of the cafe distracts you from what they are saying (the background noise could be any thing: the gossip at the next table for example). It happens that, from time to time, in certain contexts the background noise is stronger and more defined than our personal and private one on one conversations. Our blog, made up of a group of friends from Concordia's journalism program, can serve as the background noise penetrating the intimate discussions of our virtual cafe dwellers (hopefully adding insight, relevant coverage, and interesting ideas). Or it can be the friend with whom you are deep in conversation. This, our dear readers, we leave to you.

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