Originally posted on Chris Hanna:
Quebec cinema wunderkind Xavier Dolan’s fifth feature Mommy is his best by far.
In hindsight, Mommy is also Dolan’s first masterpiece. This isn’t a knock to his debut, J’ai tué ma mère, or the lush Laurence Anyways, or even the Hitchcockian Tom à la ferme, but none of his previous films are nearly as moving, captivating or artistically assured as Mommy is. Knowing what he can do now with Mommy, a passionate, beautiful and unique film about a Québécois family, with a script that is biting and emotional, it makes his previous efforts pale in comparison.
Set in 2015, when a new law is passed allowing Canadians with a problem child to give him or her up to a federal institution, Mommy follows Diane “Die” Després (the perfect Anne Dorval, in her fourth Dolan film) and her son Steve, whom Die picks up from what appears to be a boarding…
View original 488 more words